![]() ![]() Reiss, “ A Semantic Approach To Autonomous Mixing," Online version, Journal on the Art of Record Production (JARP), Issue 8, Dec. Reiss, " Reduction of quantization noise via periodic code for oversampled input signals and the corresponding optimal code design," Digital Signal Processing, p. McAlpine, " Selective Adaptation to 'Oddball' Sounds by the Human Auditory System," The Journal of Neuroscience, 34 (5), pp. Reiss, " An Inter-Language Study of Musical Timbre Semantic Dimensions and their Acoustic Correlates," Music Perception, V. Reiss, " An Interlanguage Unification of Musical Timbre: Bridging Semantic, Perceptual and Acoustic Dimensions," Music Perception, v32 (4), April 2015. Reiss, ' Autonomous multitrack equalisation based on masking reduction,' Journal of the Audio Engineering Society, vol. Reiss, ' Intelligent Multitrack Dynamic Range Compression,' Journal of the Audio Engineering Society, vol 63 (6), June 2015. Reiss, ' Analysis of Peer Reviews in Music Production,' Journal on the Art of Record Production, vol. Cavallaro, ' Audio Fingerprinting for Multi-Device Self-Localisation,' IEEE Transactions on Audio, Speech and Language Processing, 23 (10), p. Cavallaro, ' Self-Localization of Ad-hoc Arrays Using Time Difference of Arrivals,' IEEE Transactions on Signal Processing, 64 (4), Feb., 2016. Stockman, ' What do your footsteps sound like? An investigation on interactive footstep sounds adjustment,' Applied Acoustics, 2016. Reiss, ' All About Audio Equalization: Solutions and Frontiers,'Īpplied Sciences, special issue on Audio Signal Processing, 6 (5), May 2016. Cavallaro, ' An Iterative Approach to Source Counting and Localization Using Two Distant Microphones,' IEEE/ACM Transactions on Audio, Speech and Language Processing, 24 (6), June 2016. Cavallaro, ' Over-Determined Source Separation and Localization Using Distributed Microphones,' IEEE/ACM Transactions on Audio, Speech and Language Processing, vol. ![]() Reiss, ' A meta-analysis of high resolution audio perceptual evaluation,' Journal of the Audio Engineering Society, vol. Reiss, ' A machine learning approach to design and evaluation of intelligent artificial reverberation,' J. Reiss, ' Perceptual evaluation and analysis of reverberation in multitrack music production,' J. ![]() Reiss, ' User Preference on Artificial Reverberation and Delay Time Parameters,' J. Definitive publisher-authenticated version at Reiss ' Rearrangement of timbre space due to background noise: behavioural evidence and acoustic correlates,' Acta Acustica united with Acustica, 103 (2), 288-298, 2017. Reiss, ' Sound Synthesis of Objects Swinging through Air Using Physical Models,' Applied Sciences, v. Reiss, ' Perceptual Evaluation of Synthesized Sound Effects,' ACM Transactions on Applied Perception, 15 (2), April 2018 Brandtsegg, ' Applications of cross-adaptive audio effects: automatic mixing, live performance and everything in between,' Frontiers in Digital Humanities, 5 (17), 28 June 2018 Reiss, ' Creating Real-Time Aeroacoustic Sound Effects Using Physically Derived Models,' Journal of the Audio Engineering Society, 66 (7/8), pp. Reiss, ' TDCS: a new scheduling framework for real-time multimedia OS,' International Journal of Parallel, Emergent and Distributed Systems, v35 (3), 2020 Reiss, ' Real-Time Sound Synthesis of Audience Applause,' Journal of the Audio Engineering Society, 68 (4), pp. ![]() D., Deep learning for black-box modeling of audio effects. Reiss et al., Interactive Audio Augmented Reality in Participatory Performance, Frontiers in Virtual Reality, 1 (46), 2021 Reiss, Guitar Effects Recognition and Parameter Estimation with Convolutional Neural Networks, Journal of the Audio Engineering Society, 69 (7/8), July 2021 Reiss, ' Reverse engineering of a recording mix with differentiable digital signal processing,' Journal of the Acoustical Society of America 150 (1), 608-619, 2021 Reiss, ' Real-Time Binaural Room Modeling for Augmented Reality Applications,' Journal of the Audio Engineering Society, 69 (11), Nov. Choi et al., ' Conditioned source separation by attentively aggregating frequency transformation with self-conditioning', Journal of the Audio Engineering Society, vol. Reiss, " Semantic Music Production: A Meta-Study," J. Reiss, " Style Transfer of Audio Effects with Differentiable Signal Processing," J. ![]()
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